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Burgh House and Hampstead Museum have asked
me to give two talks on Ford Madox Brown. The first one will be
'Ford Madox Brown - Painting the Hampstead Years' , an
illustrated talk on Friday, 6th June 2008 at 2:15. It will explore
Madox Brown’s connections with Hampstead, where he lodged at 33
High Street for about a year from June 1852. His stay in Hampstead
inspired 'Work" - one of his greatest and most discussed
paintings.
Burgh House & Hampstead Museum
New End Square, Hampstead
London, NW3 1LT
www.burghhouse.org.uk
I have written a biographical essay - Vieux
Fordy: Death of a Modern Man - for the forthcoming catalogue
of a new exhibition, "Ford
Madox Brown: The Unofficial Pre-Raphaelite",
Works on Paper by Ford Madox Brown from Birmingham Museums and
Art Gallery, showing at Birmingham Museum and Art Gallery, Chamberlain
Square, Birmingham, B3 3DH, from 24 August - 14 December 2008.
I am currently writing a book about Ford Madox
Brown and the women in his life and art, to be published by Chatto
and Windus, approx 2009.
On September 19, 2007 I presented a paper
at the University of Genoa entitled 'From Paint to Print -
Nonno's Legacy' at a conference entitled 'Ford Madox Ford:
Visual Arts and Media' . It can be read here
Following its exhibition in 2007 of the drawings
of Burne-Jones, Hidden Burne-Jones, the City Museum and
Art Gallery in Birmingham, U.K. is planning an exhibition of the
drawings held there by Ford Madox Brown. This is scheduled to
open late summer 2008. I shall be contributing a biographical
chapter to the exhibition catalogue which will focus on the women
in Madox Brown’s life and art.
I have written the entry for William Michael Rossetti for the
forthcoming Dictionary of Nineteenth-Century
Journalism - to be published approx 2007/8 in hard copy
by Academia Press, Ghent, and the British Library, and online
by Proquest. William Rossetti disliked the prevailing nineteenth-century
conventions of anonymous reviews and took care to sign most of
his articles. His mission in journalism was to popularize the
arts for all sections of the Victorian public.
I shall be writing a chapter in the forthcoming Cambridge
Companion to the Pre-Raphaelites on ‘William Michael Rossetti
and the other Pre-Raphaelites’. Publication is planned for 2009.
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